Showing posts with label 1. Show all posts
Showing posts with label 1. Show all posts

Sunday, August 7, 2011

JSM@CDS: The Time For Revenge Has Come! Attack The Iron Cross Army!!


Episode 1: The Time For Revenge Has Come! Attack The Iron Cross Army!!
MONSTER OF THE WEEK: Machine BEM Bokunryu: He can: Smash stuff, be a dinosaur, kill Prof. Yamashiro, go BIG.

The first episode of Japanese Spiderman sets up the premise immediately and without a lick of subtlety. Within minutes, the alien spaceship known as Marveller has been psychically crash-landed. Before the ad break, madcap cyclist Takuya Yamashiro's astro-archeologist (?) father looks for said Marveller, and is killed by Professor Monster's robot dinosaur. And after a brief tussle with the bird-like agents of the Iron Cross Army, Takuya meets Garia, the spaceman from the planet Spider, who seeks revenge on the Iron Cross for his planet's destruction, and gives Takuya "the SPIDER EXTRACT!" (plus Marveller/Leopardon) and then becomes a Spider. Cue ad break. After the break it's time for some wacky hero adventure, a la Adam West!

And when I say Adam West, I mean Adam West. The show is goofy, dated, thinly plotted, and completely enthralling. However, the show goes one step ahead of the Batman show, with thorough disrespect for its source material. Whereas Batman worked slavishly to replicate the comics of the time down to the Pows and Bams, Supaidaaman completely ignores its origins, and in my humble opinion, benefits from it. A burglar? Why not a dinosaur instead? Power and responsibility? Try BLOWING UP A DINOSAUR WITH A FREAKING ROBOT SWORD! It may be laziness on the part of the writers and staff, but the ignorance makes the show feel genuinely fresh. I had fun watching this premier episode of Spiderman, I can't imagine anyone who wouldn't, and in the end, that's all that matters.
NNNN

Friday, February 25, 2011

Turning Japanese: Inception x Paprika

Last night, I had an idea for a new feature for this blog. I had noticed a vast number of American books, movies, and comics have taken inspiration from manga and anime. It makes me happy to see that several very prolific talents would take interest in anime and manga; however, it bothers me how few people are aware of their connections to J-cool culture. So, I have decided to make a new column dedicated to enlightening those unaware of a movie's otaku roots.

Movie: Inception (Christopher Nolan)
Anime: Paprika (Satoshi Kon)
What Makes Them Similar: Both movies' plots center on a machine that allows people to enter dreams.
Proof of Inspiration: The character of Ariadne, the architect, was reportedly inspired by Paprika's titular character.
Is Inception a Rip-off: No. Despite the noticeably similar premise, the execution is very different. While Paprika had a winsome, emotionally charged narrative, Inception was a sterile, often cold experience. I would compare this to the relationship between Ghost in the Shell and The Matrix (which I will certainly discuss at a later date), except that both of those movies were emotionally cold. Both movies and directors come from a very similar intellectual place, but the final products of each are remarkably unique, a fine example of how a good creative mind can take an identical concept to a very, very different place.

Saturday, January 15, 2011

Review: Fractale Episode 1

    
Thank god for streaming. Without it, I would not get the immense joy of watching Fractale, a new show directed by Yutaka "Yamakan" Yamamoto (The Melancholy of Haruhi Suzumiya) and from a concept by famous otaku  scholar Hiroki Azuma, ONE HOUR after it aired in Japan. I've became curious about the show after reading this article in witch the director spoke out against the moe symptom that has infected all otaku products lately. It shocked me that the director of Haruhi would be the one to be saying these things about moe, seeing as Haruhi was basically the moe show that worked. Needless to say, I was intrigued by the idea of a show that "will target non-anime fans and one-time fans who have shifted away from the genre," and I was not disappointed. This is good, nostalgic fun with a nice hint of the demented bent I can expect from a Yamakan production.


 This show does absolutely nothing new. Not an ounce of originality. It is a rehash of many things we have seen before. But these things are things that have not been seen for a very long time, so I welcome this show like a friend who has been on vacation for months. This show contains no moe, no pushy-in-more-ways-than-one breast shots, no "sexy" helium voices. Here's what the show does contain: A youthful, wide eyed hero. A mysterious heroine. A unique setting. A leisurely storytelling pace. Incompetent, bumbling, but still plenty dangerous initial villains. Miyazaki-inspired (okay, rip-off) aircrafts. And a hint of that WTF that only Japan is capable of crafting. Now if this is not enough to make you immensely curious, then there is nothing I can do to make you watch this show. However, unless your heart broke the moment I said no moe, then you are probably immensely curious about this show. However, this show needs more than that. Only moe gets produced with a list of guidelines and nothing more. And sadly, this show may be like that. Because what I just described basically IS the plot at this point. And really, why watch this when I could just watch Castle in the Sky, which this show dubiously resembles. There are two reasons.

First of all, the fanservice in the first episode was handled carefully and tastefully. At this point, fanservice (which, if you don't know what this means by now, I will just say that it fairly obvious when most of the fans to service are male) is a necessary evil of anime (and manga), and it was refreshing to see one that left things to the imagination, something that I think/hope otaku still have, and did not shove panties at the screen every ten seconds. After all, when you are creating something that fans can probably already find mountains of doujin based on the minute it is publicly available, is stuff like fanservice that needed?

Secondly, the weird sci fi setting. The world of Fractale at first looks like the bajillionth calm countryside to  grace an anime like this, but in reality, it is much more sinister. Other than the protagonist and a handful of other charaters, everyone is hooked to the Fractale system, the "twenty second century god", which makes life more convenient, and allows everyday life to be handled by bizarre avatars called "Doppels". It's like if The Matrix was also based on Castle in the Sky as well as Ghost in the Shell.

Anyway, the first episode was actually kinda light, so I can't say the quality will hold up, but as you can see by my feverish praise, I'm happy with what I see. And I haven't even mentioned the rad opener.


UPDATE: The Fractale simulcast has been shockingly put on hold by Funimation after a bunch of illegal torrents and streams of the first episode were put out by some @$$#*!#$.

Fractale is currently streaming via Funimation

Thursday, December 23, 2010

Zyword of the Week episode 1: ZyWHA?!?!?

Sorry for not updating last week; to be honest, I'm super tired. During this super cool holiday season , I will post this, along with a best of oh-ten list, and *possibly* more. Our regularly scheduled Eva analysis and random reviews will return next year.

OK then, welcome to my newest feature!!! (BTW, MVs You Will Like is dead) Zyword of the Week is about things that you wish you didn't exist, that could potentially single-handedly make one leave the otaku life forever and not look back, and how y'know, terrible they are. Today we will be discussing Zyword, and it's (lack of) many nuances.
It was customer appreciation day at my local comic store, and they were giving away free stuff. Of course, everything they were giving away was crap. Love Hina the Novelization (?), FLCL the bad manga version, an absolutely horrible-looking OEL called Harvey and Etsuko, and... Zyword. Attracted to the flashy cover art, the mention of the author, Tamayo Akiyama, being a former member of the shojo super group CLAMP (it did not occur to me that there was probably a good reason for that "former" bit), and I dunno, it just felt like destiny. Anyway, I'm glad I got it, because in doing so, I have prevented someone else from ever needing to suffer though this turd.
 To begin, let's look at the dialogue. Here is some examples of the less contrived speech:

"And she has FOUR ranks of custom-color spells?"


"Luna, don't you ever listen? I've told you over and over--when breaking spells, always take your surroundings into consideration! The weather, the terrain... You produced a flame spell without checking how much power to use first and now you've lowered the air pressure of this area!"


"You're insane! I don't care care HOW powerful you are-- but it's IMPOSSIBLE to collect a shield spell!"


However, the art style is quite nice. Akiyama did the character designs for Magical Knight Rayearth, and the art effectively emulates the finer points of early CLAMP. However, I could hardly tell, because the art is so awash in screen tone it looks like someone sneezed on all the pages. I mean, the pages originally in color look LESS muddy than the rest of the goddamn book! As the author herself mentions in the back notes, "I've beenexperimenting with the computer more lately." No, REALLY?
Also, many designs are downright derivative. For example, let's look at The animal mascot, Ride. Ride looks exactly like Mokona from Rayearth, Tsubasa, and xxxHOLiC (none of which are porn, and all of which are CLAMP titles), except with a six-pointed star lazily slapped on to make it more "magic." Ugh.
 Now, you may notice that I have not discussed the plot of Zyword at all and that is because it is completely incomprehensible. The first line in the book is "The Chaotic Spell World." One would expect an explanation of what this "Chaotic Spell World" is, right? Nope! I think that it was the titular Zyword, but honestly, I'm not even totally sure about that. Eventually, I gave up on trying to follow the story (was there even one?), and just aimlessly flipped through the book in abject horror.
The sad thing about this book is that it could very easily be much, much better. This artist is very talented, and unlike me, has a good grasp on how to tell an involving story. But instead, we get a confusing, muddled mess. If you showed me this when I was getting into manga, I'd have stopped reading on the spot and never look back. I really wish this didn't exist.